Abstract
We discuss some implications of the Holocaust for moral philosophy. Our thesis is that morality became distorted in the Third Reich at the level of its social articulation. We explore this thesis in application to several front-line perpetrators who maintained false moral self-conceptions. We conclude that more than a priori moral reasoning is required to correct such distortions.

Full article here

Abstract
In their theories of international order, Hobbes and Kant are not as far apart as earlier interpreters have claimed. Both consider peace between states and mutual respect for their sovereign independence to be necessary for securing domestic order. For both Hobbes and Kant, order arises from the very “independency“ of states in a manner that is different from the independence of individuals in a state of nature. Both regard the independency of states and their commitment to the prosperity of their subjects as principles that support a long-term orientation toward peaceable cooperation. The most significance difference between Hobbes and Kant concerning international order arises from Kant’s attributing to individuals a cosmopolitan right that makes the international order more subject to potential conflict concerning the rights of individuals, but also gives his theory a stronger normative framework for the development of shared norms than what is found in Hobbes’s political theory.

Full article here

Abstract
This paper tries to examine what is at stake in the various projects to “re-enchant the world”, which have arisen in the face of modernity. It sees the ambition to “save the sacred” in this context. It poses a number of problems which arise for such projects, and in particular examines the notion of “polytheism” which is central to the recent book of Sean Kelly and Hubert Dreyfus, All Things Shining.

Full article here

Abstract
While there is much literature on autonomy and the conditions for its attainment, there is less on how those conditions reflect on agents’ ordinary careers. Most people’s careers involve a great deal of subservient activity that would prevent the kind of control over agents’ actions that autonomy would seem to require. Yet, it would seem strange to deny autonomy to every agent who regularly follows orders at work—to do so would make autonomy a futile ideal. Most contemporary autonomy accounts provide purely theoretical analysis without reference to any practical goal that autonomy could serve. These accounts are likely to resolve this issue in one direction: either almost entirely including or excluding subservient workers from autonomy. Either solution would fail to distinguish agents who sufficiently control their lives, in spite of limited subservience, according to their own standards, from agents for whom subservience precludes a fulfilling life. I suggest the solution lies in a return to goal-oriented autonomy accounts, which can use the goal to distinguish when subservience overwhelms autonomy from when subservience and autonomy can coexist. I present an account that anchors autonomy in the happiness that it provides for agents who sufficiently control their lives as determined by their more important prudential standards. On this account, agents in subservient careers can be autonomous if they determine how to make their careers consistent with their happiness.

Full article here

Abstract
The aim of this paper is to argue that our experience of artworks is normally multimodal. It is the result of perceptual processing in more than one sense modality. In other words, multimodal experience of art is not the exception; it is the rule. I use the example of music in order to demonstrate the various ways in which the visual sense modality influences the auditory processing of music and conclude that this should make us look more closely at our practices of engaging with artworks.

Full article here

Abstract
According to pragma-dialectical methodology, a party in an argumentative discussion can be assumed to manoeuvre strategically between dialectical and rhetorical objectives. One confrontational form of strategic manoeuvring occurs when a critic charges an arguer with advancing a standpoint that has socially harmful consequences. In special situations this form of manoeuvring can be dialectically sound, for example when the standpoint is advanced in a way that damages the dialectical process. The boundary between fallacious and dialectically sound applications of this form of manoeuvring is examined by looking for the manoeuvring’s soundness conditions.

Full article here

Abstract
Arne Naess once called himself “a kind of metaphysician”: did or did he not therewith turn his back on his philosophical mentors in the Vienna Circle? To try to determine the meaning of this self-ascription, this paper first considers in detail two works in which his disagreements with the philosophers of the Vienna Circle found their clearest and most detailed expression. Concentrating on Carnap it will be argued that while some of Naess’s criticisms cannot be taken as authoritative, he did indicate a clear dividing line between himself and Carnap. Turning then to Naess’s valediction to philosophy of science from 1972, Naess’s appreciation of the role of metaphysics for science will be discussed and compared with his appreciation for the role of metaphysics for personal and political life as expressed in his still later ecophilosophy. Once allowance is made for the different needs addressed by his writings for the deep ecology movement and a certain 1960s’ rhetoric is discounted as no longer appropriate, it can be seen that Naess’s theoretical philosophy exhibited a remarkable continuity throughout.

Full article here

Abstract
This paper attempts to systematically characterize critical reactions in argumentative discourse, such as objections, critical questions, rebuttals, refutations, counterarguments, and fallacy charges, in order to contribute to the dialogical approach to argumentation. We shall make use of four parameters to characterize distinct types of critical reaction. First, a critical reaction has a focus, for example on the standpoint, or on another part of an argument. Second, critical reactions appeal to some kind of norm, argumentative or other. Third, they each have a particular illocutionary force, which may include that of giving strategic advice to the other. Fourth, a critical reaction occurs at a particular level of dialogue (the ground level or some meta-level). The concepts here developed shall be applied to discussions of critical reactions by Aristotle and by some contemporary authors.

Full article here

Abstract
In this aricle, I argue that Descartes can be seen as a occupying a distinct middle ground between ancient music theory, which was being revived in the Renaissance, and eighteenth-century aestheticians. Descartes’ approach to music had its roots in humanist thought but, even from the start, it wasn’t simply another humanist theory of music. The views Descartes begins to develop in his early years, in the Compendium musicae (1618), is continuous with the views he articulates near the end of his life in the Passions of the Soul (1649). And the position on the effects of music is an interesting and important one, bridging humanist thought with the new philosophy. Unlike the humanists, Descartes will be unwilling to identify particular musical proportions as intrinsically connected with pleasure or other affects, but he will nevertheless develop an objective account of aesthetic value.

Full article here

Abstract
A well-known ambiguity in the term `argument’ is that of argument as an inferential structure and argument as a kind of dialogue. In the first sense, an argument is a structure with a conclusion supported by one or more grounds, which may or may not be supported by further grounds. Rules for the construction and criteria for the quality of arguments in this sense are a matter of logic. In the second sense, arguments have been studied as a form of dialogical interaction, in which human or artificial agents aim to resolve a conflict of opinion by verbal means. Rules for conducting such dialogues and criteria for their quality are part of dialogue theory. Usually, formal accounts of argumentation dialogues in logic and artificial intelligence presuppose an argument-based logic. That is, the ways in which dialogue participants support and attack claims are modelled as the construction of explicit arguments and counterarguments (in the inferential sense). However, in this paper formal models of argumentation dialogues are discussed that do not presuppose arguments as inferential structures. The motivation for such models is that there are forms of inference that are not most naturally cast in the form of arguments (such as abduction, statistical reasoning and coherence-based reasoning) but that can still be the subject of argumentative dialogue. Some recent work in artificial intelligence is discussed which embeds non-argumentative inference in an argumentative dialogue system, and some general observations are drawn from this discussion.

Full article here